Tristan Perich at The Kitchen
by Robert Leeper and FoM Let me cut to the chase: there is no one today writing music that is more relevant, more engaging, more viscerally exciting than Tristan Perich. […]
by Robert Leeper and FoM Let me cut to the chase: there is no one today writing music that is more relevant, more engaging, more viscerally exciting than Tristan Perich. […]
I first heard Doug Perkins and Todd Meehan – otherwise known as the Meehan/Perkins Duo – perform Tristan Perich's Parallels at MoMA in 2013, as part of MoMA's Soundings exhibition. The performance, which
Are art museums the new concert halls? Not exactly, but, there is a long and storied tradition of presenting live music in art galleries and museums. Particularly in the realm
by Robert Leeper Rainforest IV Photo credit: John Driscoll Most trips to the Caramoor estate in bucolic Katonah, New York end with a charming Italian Opera, chamber music, or maybe
by Robert Leeper Photo Credit: Jocelyn Gonzales The longest day of the year was greeted in New York on Saturday with enough activity to tide people over well into the
by Robert Leeper Varispeed [Photo credit: Steven Pisano] When Roulette was founded in a TriBeCa loft in 1978, New York City was bankrupt, subways were covered in graffiti, and the
by Poppy Galloway Baby's All Right presented a showcase of the finest in experimental electronica Wednesday night; featuring Tristan Perich's Noise Patterns, Daniel Wohl with IKTUS Percussion, and the Los Angeles–based
Tristan Perich in MoMA's Summergarden last night after the Meehan/Perkins Duo performed his Paralells, for for tuned triangles, hi-hats, and 4-channel 1-bit electronics. Part of MoMA's ongoing Soundings exhibition, which features Tristan's Microtonal
by Gabriel Furtado Cellist Mariel Roberts performing Tristan Perich’s “formations” for cello and one-bit sound. Record releases fill me with trepidation. These events have the potential to reach a lofty