JACK quartet

JACK Quartet Plays Lachenmann at Morgan Library

f you’re looking for a concept to wrap your head around, look no further than German composer Helmut Lachenmann. Last Wednesday night at the Morgan Library & Museum, the JACK Quartet guided the audience on a journey—an intense lesson in Musique concrète, a compositional style with which he is closely associated. The performance was a CD release event for JACK’s new album featuring these works, due out on MODE ON April 1st.

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JACK Quartet and Joshua Roman at (le) Poisson Rouge

Ancient and innovative can easily coexist. In music especially, composers and peroformers throughout history have looked back for guidence and inspirtaion as they move forward. Steve Reich has openly written about the debt his music owes to the 13th century French composer Pérotin and one of Felix Mendelssohn’s greatest achievements was his rediscovery of J.S Bach’s music with his mounting of the St. Matthews Passion.
On Sunday night, the JACK Quartet and guest cellist Joshua Roman continued this tradition of finding inspiration in history and programmed their findings next to the rule breakers of today. They presented three madrigals by the intensely expressive renaissance composer Carlo Gesualdo, arranged for sting quintet by JACK violinist Ari Streisfeld, as well as works by Joshua Roman, Brian Ferneyhough and a new piece, premiered by the quintet just three weeks ago in Seattle, by Jefferson Friedman.

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