Google <3 Debussy
If you haven't already seen it, today's Google Doodle is a charming bit of period animation set to Claude Debussy's "Clair de lune", in honor of Debussy's 151st birthday. About the nicest […]
If you haven't already seen it, today's Google Doodle is a charming bit of period animation set to Claude Debussy's "Clair de lune", in honor of Debussy's 151st birthday. About the nicest […]
The all-encompassing vocal master Bobby McFerrin onstage last night at Summerstage, where he played an encyclopedic three-hour set that came off like a revival, including everything from jazz, rock, and
In its new incarnation as purveyor of new works and innovative programming, the Mostly Mozart Festival has also given wide exposure to a plethora of young conductors. Over the past couple of years this has included international stars Lionel Bringuier and Pablo Heras-Casado. Last night at Lincoln Center’s Avery Fisher Hall, the Mostly Mozart Festival Orchestra had another young conductor at the helm, David Afkham, for a program of music by Johannes Brahms.
Brahms’s Concerto for violin and cello in A minor was given a soulful, stirring, and searching reading. While both violinist Vadim Repin and cellist Péter Szabó brought a fittingly romantic take to Brahms’s final orchestral work, they also felt a touch reserved. The first movement opens with an arresting dialogue between the two soloists and the duo truly move as one super soloist, so close is their synchronicity and tone. However, there was a tendency for this to render some median of emotion. In addition to being first time collaborators they had the sheet music in front of them, which, while not inherently a problem, can diffuse some of the spontaneity of a performance.
News just in that Cedar Walton, one of jazz’s most elegant and assured—not to mention hard-driving—pianists passed away this morning at the age of 79. A former member of Art
by Robert Leeper The fear one has when attending a performance of a well-loved opera is that there will be some well-intentioned, high-minded director who completely flubs his or her
I couldn't imagine a sharper contrast to Monday's turbulent, often violent performance of George Benjamin's Written on Skin than Tuesday's performance of David Lang's the whisper opera at the Mostly Mozart Festival. The
Tristan Perich in MoMA's Summergarden last night after the Meehan/Perkins Duo performed his Paralells, for for tuned triangles, hi-hats, and 4-channel 1-bit electronics. Part of MoMA's ongoing Soundings exhibition, which features Tristan's Microtonal
"With music I can open a heart/as easily as you can open a door/and reach right in." — Into the Little Hill LENOX, MA — Over the past few years, some
LENOX, MA — Last Saturday, I made the first of my two visits to Tanglewood over the weekend, arriving at Ozawa Hall just in time for the prelude concert prior to