Chamber Band Energizes Late-Night Crowd at Spike Hill
by Laura Wasson After my rollicking interview with Chamber Band last week, I was more excited than ever to finally see them live at Spike Hill this past Friday. Despite […]
by Laura Wasson After my rollicking interview with Chamber Band last week, I was more excited than ever to finally see them live at Spike Hill this past Friday. Despite […]
by Michael Cirigliano II Hiroyuki Ito for The New York Times Music Director Louis Langrée and the Mostly Mozart Festival Orchestra closed their much-heralded season in triumphant fashion Saturday night,
by Laura Wasson Last Thursday, I had the pleasure of chatting with Chris Littler and Ellen Winter from New York's own Chamber Band (along with some of their lovely fans)
by Zoë Gorman Photo credit: Lora Robertson Making connections across artistic genres has proven to be one of the defining features of 21st-century music, and The Impulse Wants Company—a new ballet
by Robert Leeper Photo credit: Richard Termine, The Wall Street Journal A lot has been made of the "newness" of the Mostly Mozart Festival, most recently by yours truly. From
If you haven't already seen it, today's Google Doodle is a charming bit of period animation set to Claude Debussy's "Clair de lune", in honor of Debussy's 151st birthday. About the nicest
The all-encompassing vocal master Bobby McFerrin onstage last night at Summerstage, where he played an encyclopedic three-hour set that came off like a revival, including everything from jazz, rock, and
In its new incarnation as purveyor of new works and innovative programming, the Mostly Mozart Festival has also given wide exposure to a plethora of young conductors. Over the past couple of years this has included international stars Lionel Bringuier and Pablo Heras-Casado. Last night at Lincoln Center’s Avery Fisher Hall, the Mostly Mozart Festival Orchestra had another young conductor at the helm, David Afkham, for a program of music by Johannes Brahms.
Brahms’s Concerto for violin and cello in A minor was given a soulful, stirring, and searching reading. While both violinist Vadim Repin and cellist Péter Szabó brought a fittingly romantic take to Brahms’s final orchestral work, they also felt a touch reserved. The first movement opens with an arresting dialogue between the two soloists and the duo truly move as one super soloist, so close is their synchronicity and tone. However, there was a tendency for this to render some median of emotion. In addition to being first time collaborators they had the sheet music in front of them, which, while not inherently a problem, can diffuse some of the spontaneity of a performance.
News just in that Cedar Walton, one of jazz’s most elegant and assured—not to mention hard-driving—pianists passed away this morning at the age of 79. A former member of Art