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Occasionally, I use this space to reflect on the passing of a notable musician or composer, someone whose contributions deserve to be remembered long after they're gone. Today, I want to […]
Occasionally, I use this space to reflect on the passing of a notable musician or composer, someone whose contributions deserve to be remembered long after they're gone. Today, I want to […]
by Robert Leeper and FoM Let me cut to the chase: there is no one today writing music that is more relevant, more engaging, more viscerally exciting than Tristan Perich.
At the end of a momentous week at the NY Philharmonic, it felt only right to stop by David Geffen Hall on Saturday night for the orchestra's final concert before leaving
When Beethoven premiered his Symphony No. 9 in Vienna's Karntnertör Theater in the spring of 1824, it wasn't the clean, polished experience one might expect of the most revered symphony ever
Photo: Chad Batka, The New York Times Not that long ago, things looked pretty grim at the New York Philharmonic. Last January, music director Alan Gilbert – whose up-and-down eight year tenure comes
By Robert Leeper, Nick Stubblefield and FoM Friday, 2/24/17 Among the world's leading orchestras, the Vienna Philharmonic is unique in that it does not have a permanent music director, and the foremost
Hot on the heels of the Vienna Phil's blistering concerts last week, the Boston Symphony Orchestra takes the stage at Carnegie Hall this week for three concerts under the direction
Aside from the unseasonably warm weather this week, the other sign that spring has come early to NYC is this week's arrival by the incomparable Vienna Philharmonic for their annual residency at
by Annette Gold “Where is evil?” sings Baron Peel (the booming, authoritative Robert Osborne), described as a “distinguished anatomist of talent and experience” by his contemporaries. Peel knowingly responds, “You