“The Death of Klinghoffer” at the Met Opera
Ken Howard/Metropolitan Opera "There aren't many things left worth fighting for in this world. Art is one of them." – FoM In his 2008 memoir, Hallelujah Junction, John Adams devotes an entire
Ken Howard/Metropolitan Opera "There aren't many things left worth fighting for in this world. Art is one of them." – FoM In his 2008 memoir, Hallelujah Junction, John Adams devotes an entire
by Nick Stubblefield Bernstein. Mahler. Stravinsky. These men were all highly-respected composer/conductors found in music history textbooks. Flip to the end of that textbook, and one is likely to find
NOTE: This contest has ended. Pianist Orli Shaham celebrates the release of her latest album, American Grace, at SubCulture this Monday, March 3, at 7:30 p.m. Composer/guitarist Steven Mackey and
by Melanie Wong As part of their Summertime Classics Series conducted by the boisterous Bramwell Tovey, the New York Philharmonic presented The Planets: An HD Odyssey, at Lincoln Center’s Avery
Nico Muhly remains one the most active young composers around. Last Tuesday night, fresh off of curating at and performing in his own festival, A Scream and An Outrage, he returned to New York for two shows at Le Poisson Rouge. The night consisted of a broad range of works based loosely based around a preview of his opera, Two Boys, premiering at the Met in October.
The opera premiered at the English National Opera in 2011. With a libretto by celebrated American playwright Craig Lucas, it examines issues associated with the darker corners of the Internet and online chat rooms. The opera is a part of Met general manager Peter Gelb’s larger effort to bring opera to a younger demographic, and the nature of the issues explored drags opera firmly into the 21st century.
by Michael Cirigliano II I’ve always admired the relationship fostered by the Juilliard School and London’s Royal Academy of Music [and not just because I’m a graduate of the latter].
Ok, I may not be the world's biggest Mozart fan, but I am a big believer in Truth in advertising. So, what's up with this year's Mostly Mozart? I did