Matthew Aucoin’s “Crossing” at BAM
by Steven Pisano (All photos by Steven Pisano) The Civil War may have ended more than 150 years ago, yet in many ways our country has never fully recovered. The recent […]
by Steven Pisano (All photos by Steven Pisano) The Civil War may have ended more than 150 years ago, yet in many ways our country has never fully recovered. The recent […]
Nico Muhly remains one the most active young composers around. Last Tuesday night, fresh off of curating at and performing in his own festival, A Scream and An Outrage, he returned to New York for two shows at Le Poisson Rouge. The night consisted of a broad range of works based loosely based around a preview of his opera, Two Boys, premiering at the Met in October.
The opera premiered at the English National Opera in 2011. With a libretto by celebrated American playwright Craig Lucas, it examines issues associated with the darker corners of the Internet and online chat rooms. The opera is a part of Met general manager Peter Gelb’s larger effort to bring opera to a younger demographic, and the nature of the issues explored drags opera firmly into the 21st century.
Of the four works on last Friday's American Composers Orchestra concert at Zankel Hall—dubiously entitled "Time Travels"—only two had anything to do with time (unless you acknowledge that all music is about