Portland Cello Project at (le) Poisson Rouge
Is there anything more entrancing than the sound of a cello? How about five cellos? How about five cellists who hail from the hippest, most enlightened city in America playing
Is there anything more entrancing than the sound of a cello? How about five cellos? How about five cellists who hail from the hippest, most enlightened city in America playing
“I tried to create a visual experience, one that bypasses verbalized pigeon-holing and directly penetrates the subconscious with an emotional and philosophic content . . . just as music does.” —Stanley Kubrick,
An extraordinary audio-visual experience last night at Avery Fisher Hall, as the New York Philharmonic (unofficially) opened their season with a live performance of the score to Stanley Kubrick's 2001:
SubCulture, the new subterranean performance space on the corner of Bleecker and Lafayette, officially opened its doors Monday night with an invite-only concert that showcased its eclectic booking policy, ranging
by Zoë Gorman Longleash Trio, a chamber ensemble formed earlier this year, draws its name from a Cold War CIA operation aimed at exporting American avantgarde art to Europe in
by Robert Leeper If Spain isn't on your list of places to go in the near future, then you don't have to look much farther than classical guitarist Adam Levin for
by Melanie Wong After a yearlong search for a vibrant space "where artists and audiences [can] connect," brothers and co-owners Marc and Steve Kaplan settled at 45 Bleecker Street, in the
by Michael Cirigliano II Hiroyuki Ito for The New York Times Music Director Louis Langrée and the Mostly Mozart Festival Orchestra closed their much-heralded season in triumphant fashion Saturday night,
by Robert Leeper Photo credit: Richard Termine, The Wall Street Journal A lot has been made of the "newness" of the Mostly Mozart Festival, most recently by yours truly. From