SubCulture Opens Its Doors
SubCulture, the new subterranean performance space on the corner of Bleecker and Lafayette, officially opened its doors Monday night with […]
SubCulture Opens Its Doors Read Post »
SubCulture, the new subterranean performance space on the corner of Bleecker and Lafayette, officially opened its doors Monday night with […]
SubCulture Opens Its Doors Read Post »
by Zoë Gorman Longleash Trio, a chamber ensemble formed earlier this year, draws its name from a Cold War CIA
Longleash Trio Examines Contrasting Timbres at Opera America Center Read Post »
by Robert Leeper If Spain isn't on your list of places to go in the near future, then you don't
Adam Levin Presents Varied Spanish Guitar Program at (le) Poisson Rouge Read Post »
by Melanie Wong After a yearlong search for a vibrant space "where artists and audiences [can] connect," brothers and co-owners
SubCulture Brings New Listening Room to NoHo Read Post »
by Michael Cirigliano II Hiroyuki Ito for The New York Times Music Director Louis Langrée and the Mostly Mozart Festival
Mostly Mozart: Langrée Leads Festival Orchestra in Mozart’s Final Symphonies Read Post »
by Robert Leeper Photo credit: Richard Termine, The Wall Street Journal A lot has been made of the "newness" of
Mostly Mozart: Festival Orchestra Performs Music of Mozart and Tchaikovsky Read Post »
If you haven't already seen it, today's Google Doodle is a charming bit of period animation set to Claude Debussy's "Clair de
In its new incarnation as purveyor of new works and innovative programming, the Mostly Mozart Festival has also given wide exposure to a plethora of young conductors. Over the past couple of years this has included international stars Lionel Bringuier and Pablo Heras-Casado. Last night at Lincoln Center’s Avery Fisher Hall, the Mostly Mozart Festival Orchestra had another young conductor at the helm, David Afkham, for a program of music by Johannes Brahms.
Brahms’s Concerto for violin and cello in A minor was given a soulful, stirring, and searching reading. While both violinist Vadim Repin and cellist Péter Szabó brought a fittingly romantic take to Brahms’s final orchestral work, they also felt a touch reserved. The first movement opens with an arresting dialogue between the two soloists and the duo truly move as one super soloist, so close is their synchronicity and tone. However, there was a tendency for this to render some median of emotion. In addition to being first time collaborators they had the sheet music in front of them, which, while not inherently a problem, can diffuse some of the spontaneity of a performance.
Mostly Mozart: Festival Orchestra Presents All-Brahms Program Read Post »
LENOX, MA — Last Saturday, I made the first of my two visits to Tanglewood over the weekend, arriving at Ozawa
Tanglewood 2013: Festival of Contemporary Music and Boston Symphony Orchestra Read Post »