Lincoln Center Festival: Zorn@60
"I've always thought of myself as a composer, but the world has had a hard time looking at me as […]
Lincoln Center Festival: Zorn@60 Read Post »
"I've always thought of myself as a composer, but the world has had a hard time looking at me as […]
Lincoln Center Festival: Zorn@60 Read Post »
The NY Phil made their triumphant return to the Borough City of Brooklyn (thanks for the correction, Marty Markowitz) last night
New York Philharmonic Concerts in the Parks 2013 Read Post »
by Melanie Wong As part of their Summertime Classics Series conducted by the boisterous Bramwell Tovey, the New York Philharmonic
Traveling through “The Planets” with the New York Philharmonic and NASA Read Post »
At the end of each of his first two seasons as music director of the New York Phil, Alan Gilbert staked
“A Dancer’s Dream” at the New York Philharmonic Read Post »
I only got to see one performance this year during the seventh-annual Make Music New York: the day-long feast of
Make Music New York 2013 Read Post »
Ancient and innovative can easily coexist. In music especially, composers and peroformers throughout history have looked back for guidence and inspirtaion as they move forward. Steve Reich has openly written about the debt his music owes to the 13th century French composer Pérotin and one of Felix Mendelssohn’s greatest achievements was his rediscovery of J.S Bach’s music with his mounting of the St. Matthews Passion.
On Sunday night, the JACK Quartet and guest cellist Joshua Roman continued this tradition of finding inspiration in history and programmed their findings next to the rule breakers of today. They presented three madrigals by the intensely expressive renaissance composer Carlo Gesualdo, arranged for sting quintet by JACK violinist Ari Streisfeld, as well as works by Joshua Roman, Brian Ferneyhough and a new piece, premiered by the quintet just three weeks ago in Seattle, by Jefferson Friedman.
JACK Quartet and Joshua Roman at (le) Poisson Rouge Read Post »
by Caroline Sanchez Having only ever seen the New York Philharmonic in outdoor venues as part of their Concerts in
New York Philharmonic Plays Dukas, Prokofiev, and Stravinsky Read Post »
by Michael Cirigliano II Marking the end of their 36th season, the Stonewall Chorale—the nation’s first LGBTQ chorus—presented an intense
Stonewall Chorale Brings Fiery “Carmina Burana” to Church of the Holy Apostles Read Post »