SubCulture Brings New Listening Room to NoHo
by Melanie Wong After a yearlong search for a vibrant space "where artists and audiences [can] connect," brothers and co-owners Marc and Steve Kaplan settled at 45 Bleecker Street, in the […]
by Melanie Wong After a yearlong search for a vibrant space "where artists and audiences [can] connect," brothers and co-owners Marc and Steve Kaplan settled at 45 Bleecker Street, in the […]
by Michael Cirigliano II Hiroyuki Ito for The New York Times Music Director Louis Langrée and the Mostly Mozart Festival Orchestra closed their much-heralded season in triumphant fashion Saturday night,
by Robert Leeper Photo credit: Richard Termine, The Wall Street Journal A lot has been made of the "newness" of the Mostly Mozart Festival, most recently by yours truly. From
If you haven't already seen it, today's Google Doodle is a charming bit of period animation set to Claude Debussy's "Clair de lune", in honor of Debussy's 151st birthday. About the nicest
In its new incarnation as purveyor of new works and innovative programming, the Mostly Mozart Festival has also given wide exposure to a plethora of young conductors. Over the past couple of years this has included international stars Lionel Bringuier and Pablo Heras-Casado. Last night at Lincoln Center’s Avery Fisher Hall, the Mostly Mozart Festival Orchestra had another young conductor at the helm, David Afkham, for a program of music by Johannes Brahms.
Brahms’s Concerto for violin and cello in A minor was given a soulful, stirring, and searching reading. While both violinist Vadim Repin and cellist Péter Szabó brought a fittingly romantic take to Brahms’s final orchestral work, they also felt a touch reserved. The first movement opens with an arresting dialogue between the two soloists and the duo truly move as one super soloist, so close is their synchronicity and tone. However, there was a tendency for this to render some median of emotion. In addition to being first time collaborators they had the sheet music in front of them, which, while not inherently a problem, can diffuse some of the spontaneity of a performance.
LENOX, MA — Last Saturday, I made the first of my two visits to Tanglewood over the weekend, arriving at Ozawa Hall just in time for the prelude concert prior to
Continuing its survey of the music of Beethoven and Mozart, the Mostly Mozart Festival Orchestra performed a program last night that was both familiar and challenging, in all of the right
"This once-hopeless festival has become an unlikely model of change…It did not invent any of the principles that pulled them out of stagnation. They simply embraced them." — Anthony Tommasini, The
On a near-perfect evening last night, The Knights—Colin and Eric Jacobsen’s ambitious “flexible orchestra”—performed at Central Park’s Naumburg Bandshell, now in its 114th season. The mostly geriatric older audience packed