Photo credit: Andrea Mohin, The New York Times Visuals—be it film or computer-generated projections—have become something of a mainstay in contemporary concert music, and with good reason: More than ever, we […]
White Light Festival: Michel van der Aa’s Up-Close and Other Works Read Post »
After Wednesday's CMJ melee, I made my way out to Brooklyn for the latest edition of Ear Heart Music's monthly series at Roulette, featuring the American Modern Ensemble—an all-star collective
Ear Heart Music with American Modern Ensemble Read Post »
by Aristea Mellos Some nights, after returning home from a music-soaked evening, you can’t help but be reminded that living in New York City is a privilege. On Tuesday, May 7,
Counterpoint and Counterparts: Uptown & Downtown on a Tuesday in New York (Part 1) Read Post »
by Aristea Mellos By 9PM on May 7, I found myself one concert into the evening, almost 100 blocks south of my first engagement, and in a large and stagnant
Counterpoint and Counterparts: Uptown & Downtown on a Tuesday in New York (Part 2) Read Post »
by Melanie Wong In preparation for their upcoming concert, composer collective Circles and Lines—Angelica Negron, Eric Lemmon, Dylan Glatthorn, Noam Faingold (via Skype), Conrad Winslow (absent)—and contemporary chamber group Cadillac
Cadillac Moon Ensemble Prepares for Collaboration with Circles and Lines Read Post »
by Melanie Wong Cutting Edge Concerts New Music Festival has brought the contemporary music of living composers together with New York audiences since its inception in 1998. Last week CECNMF
Cutting Edge Concerts Presents Cygnus Ensemble at Symphony Space Read Post »
I'll admit, I was starting to wonder about Elliott Carter, not having heard much from him since the celebrations surrounding his 100th birthday in 2008. I mean, it really wouldn't be
Elliott Carter @ 103 Read Post »
