Spring for Music: Houston Symphony
by Michael Cirigliano II Carnegie Hall opened their second-annual Spring for Music Festival on Monday night with the Houston Symphony under the baton of Music Director Hans Graf. Choosing an
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Spring for Music Returns to Carnegie Hall
by Michael Cirigliano II The Spring for Music Festival returns to Carnegie Hall this week, showcasing six North American orchestras that were hand-picked by festival personnel for their dynamic programming.
Iván Fischer and Orchestra of St. Luke’s Present All-Mozart Program
by Michael Cirigliano II To close out their season at Carnegie Hall, the Orchestra of St. Luke's presented an all-Mozart program Thursday night, under the Budapest Festival Orchestra’s music director
Comedy at Carnegie Hall: The Collegiate Chorale’s Mikado
by Angela Sutton Photo: Erin Baiano And now for something…a little different. The Collegiate Chorale, in conjunction with its gala fundraising event on Tuesday night, presented a partially staged performance
Mika Yoshida and Richard Stoltzman at Carnegie Hall
by Mike Engle Although a "new genre" of music was not necessarily invented on Wednesday night, I had the pleasure of witnessing a uniquely memorable concert at the intimate Weill
Stéphane Denève Makes His Carnegie Debut with the Boston Symphony Orchestra
by Michael Cirigliano II If Friday night’s concert at Carnegie Hall is any indication, the Boston Symphony is an orchestra in crisis. Although they have only technically been without a
Vienna Philharmonic and Maazel at Carnegie: Sunday
"When I was a young man in an old man's profession, I wanted to be taken seriously — doesn't everyone? And so you get aggressive and combative, but that's
Vienna at Carnegie: An All-Sibelius Program
By Caleb Easterly The Vienna Philharmonic kicked off their three-night run at Carnegie Hall on Friday, performing Sibelius’s First, Fifth, and Seventh Symphonies. The concert had been promoted as “[showing]
Berlin Philharmonic Ends Their NYC Visit With Wolf and Mahler
"The increasing tension, working up to the final climax, is so tremendous that I don’t know myself, now that it is over, how I ever came to write it." Mahler