by Michael Cirigliano II For their first of two concerts as part of this year’s Mostly Mozart Festival, the Chamber Orchestra of Europe presented an all-Beethoven program Thursday night at […]
Chamber Orchestra of Europe Presents All-Beethoven Program Read Post »
(Photo: Hilary Scott/BSO) My weekend at Tanglewood wrapped up Sunday afternoon with yet another performance by the BSO, their third different program in three days (which may be unusual elsewhere,
Tanglewood 2012: Boston Symphony Orchestra with Emanuel Ax Read Post »
by Angela Sutton Berlin-based Artemis Quartet appeared at LPR on Tuesday night—minus violinist Natalia Prishepenko, due to unforeseen circumstances. This unfortunate absence, however, merely redirected the ensemble's performance with collaborator Jacques
Artemis Quartet (Plus) at LPR Read Post »
by Michael Cirigliano II Throughout his week-long residency at the Baryshnikov Arts Center, pianist Alexei Lubimov showed himself to be a most versatile performer. After tackling a pair of performances
Alexei Lubimov at the Baryshnikov Arts Center Read Post »
By Caleb Easterly The New York Philharmonic’s Modern Beethoven Festival began earlier this month, kicking of with the 2nd and 7th symphonies and Stravinsky’s Capriccio for Piano and Orchestra. Each
Modern Beethoven Festival at the New York Phil: Symphonies 8 and 4 Read Post »
The Knights played an exciting, innovative concert on New Year’s Eve including Purcell’s Fantasia Upon one Note, Terry Riley’s In C, and Beethoven’s Fifth Symphony in C minor.
A Champagne New Years with The Knights at the 92nd St. Y Read Post »
After four weeks of expectedly diverse, engaging performances, Lincoln Center's White Light Festival is starting to wind down. But, not before three extraordinary events this past week, each of which truly
White Light Festival: Week 4 Recap Read Post »
"All praise of the Vienna Philharmonic reveals itself as understatement." – Richard Strauss In this world, there are good orchestras, and there are great orchestras. And, then, there is the
