NOTE: This contest has ended. Post-hardcore punks Touché Amoré come to (le) poisson rouge on Wednesday, February 26, at 7:30 p.m. in promotion of their latest album, Is Survived By. Indie rockers […]
by Jordan Teicher Wild Cub's Keegan DeWitt said he'd dreamed of selling out Bowery Ballroom—so it must have been especially gratifying when he did so on a Tuesday, of all
The fourth season of the Ecstatic Music Festival is now underway, with 11 unique and varied collaborations between composers and performers from both sides of the indie/classical divide. A collaboration
Austin natives Black Joe Lewis and the Honeybears will be making their first stop back to New York's Irving Plaza since the release of their most recent album, Electric Slave, on Wednesday, February
by Melanie Wong Photo credit: Boston Symphony Orchestra Expectations run high when you head out to hear a performance by one of the nation's "Big Five" orchestras. Luckily, the Boston Symphony
“Oh wait, it is Valentine’s Day, isn’t it?” Beth Orton said quizzically to the audience last night at Jazz at Lincoln Center’s Allen Room, where she appeared as part of
Seven years ago today, Feast of Music was launched with a review of—of all things—the Minnesota Orchestra at Carnegie Hall with Osmo Vänskä. (I liked it.) Back then, FoM was
by Angela Sutton The Greenwich Village Orchestra brought a bit of fantasy to relieve a gloomy February Sunday this past weekend at Washington Irving Auditorium, in the form of Ravel's song
For those who haven't yet seen it, the Glyndebourne Festival's production of Benjamin Britten's 1951 opera Billy Budd, which ends its week-long run at BAM tonight, is a wonder of stagecraft and performance.
