Coffee Conversation: Maya Beiser
Cellist Maya Beiser wants to change the way people look at rock music. Or, more accurately, music in general. Raised in Israel, Beiser was groomed for a career as a concert […]
Cellist Maya Beiser wants to change the way people look at rock music. Or, more accurately, music in general. Raised in Israel, Beiser was groomed for a career as a concert […]
by Angela Sutton Lincoln Center photo With a partially apt, partially grim choice of programming, Saturday's final concert of this year's Mostly Mozart Festival began with a melding of works by
by Emre Tetik Armen Elliot for The New York Times For the third time this week, the International Contemporary Ensemble (a.k.a., ICE) appeared at the Park Avenue Armory's Board of Officers
After a roundabout subway trip from Brooklyn due to the out of service G Train, I found myself in a vacant lot in the shadow of Long Island City's Citibank
Among the orchestras, new music ensembles and violinists all taking part in this final week of Mostly Mozart, there was percussionist Steve Schick, who I first encountered during his Miller Theatre
by Robert Leeper As if to provide a soundtrack to the lightning storm crackling just outside the windows of the Stanley H. Kaplan Penthouse last night, violinist Patricia Kopatchinskaja dug into the
by Emre Tetik Richard Termine for The New York Times The Mostly Mozart Festival, now in its final few days, has offered NYC a variety
by Robert Leeper With the crumbling of New York City Opera last year and the recent labor-related histrionics from the Met, it would seem that opera in our fair city
by Robert Leeper The no longer new, new music revolution taking place within the Mostly Mozart Festival continued Tuesday night with the International Contemporary Ensemble (ICE) performing three works by the enterprising Icelandic