Sarah Plum Plays New Works at Spectrum
by Nick Stubblefield Stepping into Spectrum in Lower Manhattan is like stepping into a modern-day composer's living room. CDs line one wall, books the other. There are plenty of comfy couches, and […]
by Nick Stubblefield Stepping into Spectrum in Lower Manhattan is like stepping into a modern-day composer's living room. CDs line one wall, books the other. There are plenty of comfy couches, and […]
by Steven Pisano Last Friday, Jeremy Loops played Brooklyn Bowl on the final night of a U.S. tour aimed at introducing this South African folk singer from Cape Town to American
by Steve Danielsson Last week, Old 97’s frontman Rhett Miller came to City Winery to celebrate the release of his newest album “The Traveler." Miller recorded the album last year in Portland with members of
by Robert Leeper Peter Oundjian and The Orchestra of St. Luke's at the Venetian Theater A standard orchestra program pairs a short piece by a contemporary composer with a large
by Nick Stubblefield Within moments of the start of Antonio Sanchez's set at SubCulture last Friday, it was not only clear that his drum chops reign supreme, but that he is a commanding,
by Nick Stubblefield Robin Eubanks left, Corey Glover, right. One of my favorite things about jazz music is just how malleable the genre actually is. It encourages extensive creative expression
Last week, I was starting to regret not going to this weekend's Bonnaroo in Manchester, TN, mostly because Mumford & Sons, who canceled their scheduled appearance when I attended two years ago
by Steven Pisano Photo by Chris Lee. Oratorios are a tricky business. On the one hand, it can seem unsettling for a symphony orchestra to present an oratorio, which has
The Leftover Cuties, in town from Los Angeles, performed an intimate set at The Living Room on Tuesday, mixing classic swing and pop with modern songwriting. It felt like you