What Price Glory? A Word on Music Directors
“Conducting has become the profession of a traveling salesman… A conductor has to stay put to educate an orchestra.” – William Steinberg (1899-1978) former music director of the Pittsburgh Symphony
“Conducting has become the profession of a traveling salesman… A conductor has to stay put to educate an orchestra.” – William Steinberg (1899-1978) former music director of the Pittsburgh Symphony
Despite the prevalence of Finnish conductors at the top of today’s orchestra heap – think Esa-Pekka Salonen, Klaus Mäkelä, or Susanna Malkki, among many others – it’s easy to forget
Recorded at the International Piano Competition “City of Vigo”, 2018. Telegraph obit here.
When you live in New York, where we’re spoiled by a never-ending stream of visiting international orchestras, not to mention our very own world-class orchestra, it’s easy to forget that
This January, my musical cup runneth over. Just one day after hearing The Cleveland Orchestra and Franz Welser-Möst dismantle symphonies by Mozart (41) and Shostakovich (11), I was back at
Identity is an elusive quality among today’s symphony orchestras. Whereas orchestras were once home-grown, populated by players largely from within their own borders, today they have become global ensembles, drawing
It must bug the bejeezus out of the big-budget U.S. orchestras to hear over and over again that The Cleveland Orchestra – long regarded as one of the Big Five
Over the past few years, I’ve had the good fortune to spend an increasing amount of time in Ireland, which has only made me more attuned to the vibrant Irish
(Editors Note: I originally planned to attend both the Manhattan Marathon last weekend, but came down with whatever cold/flu has been going around. Following is what Dan was able to