Herbie Hancock Hosts the First International Jazz Day in New Orleans and at the UN
I've been to just about every music venue worth it's salt in this town, but one spot I've never managed to make it into is the UN General Assembly, which […]
I've been to just about every music venue worth it's salt in this town, but one spot I've never managed to make it into is the UN General Assembly, which […]
by Caleb Easterly The string quartet ETHEL has made a splash in chamber-music circles and the classical music world at large, becoming known for performances that stray from the
In 1993, Jane Moss, Lincoln Center's Ehrenkranz Artistic Director, called up the offices of Bang on a Can with an unusual proposition: to see if they might be interested in hosting
by Michael Cirigliano II Photo credit: Carol Rosegg Despite an expensive and acclaimed première at the Metropolitan Opera in 1991, John Corigliano’s The Ghosts of Versailles has received very little
(Photo: Alex G. Knight) Oh, MATA Festival, how you tease me. You come into my life for but a brief week, cause my heart to flutter, stomach to clench, instigate
Eva-Maria Westbroek and Frank van Aken from the 2010 Frankfurt Opera production of Die Walkure There's something about Wagner and tenors that seems to bring about dramatic Met Opera debuts. First,
Ken Howard/The Metropolitan Opera "I utterly disagree with those who were dissatisfied with the decorations, the scenery and the mechanical contrivances at Bayreuth (for The Ring.) Far too much industry and ingenuity
by Angela Sutton Photo: Ken Howard / Metropolitan Opera Wagner's epic opera cycle hurtled to its fiery conclusion on Tuesday night at the Met, with the final installment, Götterdämmerung. Alberich's
Jimmy Heath and Jimmy Owens with the Eyal Vilner Big Band at The New School's Tishman Auditorium last night. More pics of former faculty (including Frank Wess, Winard Harper, Cecil