by Gabriel Furtado Lisa (Lauren Worsham) confides in the man-turned-dog Prince (John Kelly) credit: James Matthew Daniel Dog Days may be the only opera with a score capable of causing acute
by Gabriel Furtado Cellist Mariel Roberts performing Tristan Perich’s “formations” for cello and one-bit sound. Record releases fill me with trepidation. These events have the potential to reach a lofty
"The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true emotion and true science." – Albert Einstein The
by Andreas Hager Photo credit: Greg Kessler This weekend, The Joshua Light Show appeared at NYU’s Skirball Center, with each evening pairing a different set of musicians. Friday evening featured
by Andreas Hager The fall season begins with something completely different: The Joshua Light Show will be at NYU's Skirball Center from September 13-16. Since the 1960s, the group
One of the most haunting musical compositions in recent memory, Steve Reich's WTC 9/11, will be performed tonight at Le Poisson Rouge by ACME, in a new all-live version for three
by Jacqueline Alemany In an ode to Harlem, Langston Hughes once waxed: “Take Harlem’s heartbeat, make a drumbeat, Put it on a record, let it whirl, Put it on a
by Angela Sutton Third Coast Percussion dodged the raindrops at MoMA on Thursday night, presenting a mostly John Cage concert in honor of the composer's centenary and his 1943 MoMA percussion
