Preview: Nonesuch at BAM
On the surface, the artists signed to Nonesuch Records – which celebrates 50 years in business this year – would seem to have very little to do with one another. […]
New Music
FREE TICKETS: Kettle Corn New Music Presents Sandbox Percussion at DiMenna Center (CONTEST ENDED)
NOTE: This contest has ended. Sandbox Percussion opens the Kettle Corn New Music season at the DiMenna Center this Saturday, September 13 at 7:00 p.m. and FoM is giving away
John Cage 102nd Birthday Celebration at Wild Project
by Robert Leeper Courtesy of Avant Media Two years ago, there was a parade of concerts in celebration of John Cage’s 100th birthday. Avant Media’s response: Why keep it to centennials
Coffee Conversation: Maya Beiser
Cellist Maya Beiser wants to change the way people look at rock music. Or, more accurately, music in general. Raised in Israel, Beiser was groomed for a career as a concert
ICE Ends Their Mostly Mozart Run with Mixed Program
by Emre Tetik Armen Elliot for The New York Times For the third time this week, the International Contemporary Ensemble (a.k.a., ICE) appeared at the Park Avenue Armory's Board of Officers
Steve Schick Performs John Luther Adams at Mostly Mozart
Among the orchestras, new music ensembles and violinists all taking part in this final week of Mostly Mozart, there was percussionist Steve Schick, who I first encountered during his Miller Theatre
Mostly Mozart: ICE Plays Anna Thorvaldsdottir at Park Avenue Armory
by Robert Leeper The no longer new, new music revolution taking place within the Mostly Mozart Festival continued Tuesday night with the International Contemporary Ensemble (ICE) performing three works by the enterprising Icelandic
Classic Romanticism at the Mostly Mozart Festival
So far at this year's Mostly Mozart Festival, now in its final week, there's been a fair amount of Mozart, a bit of Haydn, and a whole lot of Beethoven.
Lisa Bielawa Creates Musical Poetry at The Stone
Composer and Vocalist Lisa Bielawa says she is happiest when she's working with artistic collaborators who are friends. That sentiment is reflected in Lisa's first-ever residency at The Stone this