by Craig Brinker
Forward-thinking pop music icon David Byrne and guitar-wielding indie songstress St. Vincent (a.k.a. Annie Clark) teamed up for a beautifully conceived concert at Williamsburg Park in support of their recent release, Love This Giant—a tense, concise record full of cryptic lyrics. The songs work beautifully in a live setting and, in retrospect, the pairing should have seemed inevitable. Both artists create heady music with complex
arrangements and unusual melodies. Clark's influence tempers Byrne’s absurdist
tendencies, while Byrne’s playful lyrics balance Clark’s penchant for
melancholy.
Even at 60, Byrne has a strong
voice and mesmerizing stage presence. He
joked with the audience, dedicating “Outside of Space and Time” to the subatomic Higgs Boson particle. Clark said less, but seemed relaxed, enough so as to engage in a bizarre kung-fu theremin duel with Byrne at the end of her intense, slow-building “Northern Lights.”
The set mixed equal
parts from each performer’s solo catalogue and Love This Giant. The songs spanned a 30-year range, yet none seemed out of place. The old material was skillfully
re-arranged for the nine-piece backing band, including brass players wielding everything from sousaphones to flugelhorns. The band skillfully executed the music
and choreography, which became increasingly elaborate throughout the evening.
Instead of a stadium rock show with soaring choruses and bombastic accompaniment, Clark and Byrne presented a
tightly wound, carefully rehearsed set, full of overtly funky pleasures and
subtly complex arrangements. The duo traded roles as lead singer and guitarist, both capable in either capacity. Clark gave small tastes of her angular guitar heroism, but refrained from extended solos. The concise nature of the songs was part of the appeal, as the artists filled each four-minute song with twists and turns through unusual harmonies and surprising changes in
texture. This was music crafted for music
lovers.
Although the packed house appreciated the
new songs, the second encore, which included “Burning Down the
House,” changed the atmosphere into that of a dance party. The building tension of the previous 90 minutes was released in a tide of bodies in motion. Although the audience might have been more
enthusiastic if it had just been David Byrne playing his hits, there was
great pleasure to be had in enjoying two accomplished artists playing a
selection of well-crafted pop songs.