A New Beginning
Pretty much the entire New York music world showed up at Lincoln Center Sunday night for the re-opening of Alice Tully Hall, the oft-maligned chamber music hall that's faced Avery
Pretty much the entire New York music world showed up at Lincoln Center Sunday night for the re-opening of Alice Tully Hall, the oft-maligned chamber music hall that's faced Avery
For those who haven't heard, Tony Tommasini, the chief classical music critic of the New York Times, is answering readers' questions this week on the Times website. Say what you
Picture this: small, downtown club, brick wall, stage lighting. Onstage, a singer plays piano and banjo, singing cabaret-worthy songs about urban life and love. It's a classic New York scene,
Best Chamber Music Performance: Elliott Carter: String Quartets Nos. 1 And 5, Pacifica Quartet
I was back at Carnegie on Friday to hear Pierre-Laurent Aimard for the second night in a row, this time playing the big hall with Franz Welser-Möst and the Cleveland Orchestra. Once again,
I'm not exactly sure what Pierre-Laurent Aimard is trying to prove at Zankel tonight by alternating the even, contrapuntal tones of Bach with Elliott Carter's terrifying helter-skelter, but the contrast,
On Sunday, composer, conductor and pianist Lukas Foss passed away at the age of 86, at his home here in New York. There are kind notices about Foss in the Times and on other blogs, where you
Forget Perlman, forget Bell, forget Jean-Luc Ponty: for my money, the best violinist I've ever seen is a diminutive gypsy from Hungary named Roby Lakatos. Born into a famous family of