ICE Ends Their Mostly Mozart Run with Mixed Program
by Emre Tetik Armen Elliot for The New York Times For the third time this week, the International Contemporary Ensemble (a.k.a., ICE) appeared at the Park Avenue Armory's Board of Officers […]
Classical
Mostly Mozart: Patricia Kopatchinskaja plays Bach, Bartok, and Enescu
by Robert Leeper As if to provide a soundtrack to the lightning storm crackling just outside the windows of the Stanley H. Kaplan Penthouse last night, violinist Patricia Kopatchinskaja dug into the
Mostly Mozart Festival Orchestra with David Zinman
by Emre Tetik Richard Termine for The New York Times The Mostly Mozart Festival, now in its final few days, has offered NYC a variety
Classic Romanticism at the Mostly Mozart Festival
So far at this year's Mostly Mozart Festival, now in its final week, there's been a fair amount of Mozart, a bit of Haydn, and a whole lot of Beethoven.
Mostly Mozart Festival Orchestra: All-Beethoven Program
by Robert Leeper Ruby Washington for the New York Times Programs pairing Beethoven with the work of a contemporary composer have become increasingly common of late, and with the prevalence
Mostly Mozart Lights Up The New York Summer
by James Rosenfield Osmo Vanska, Mostly Mozart Festival Orchestra (Photo: New York Times) A dozen years ago, Mostly Mozart had become moribund, a snooze through the sultry summer months. Then, Louis Langree
FREE TICKETS: IDRS + Circles and Lines Present New Music at SubCulture (CONTEST ENDED)
NOTE: This contest has ended. This Wednesday night, composer collective Circles and Lines joins forces with the International Double Reed Society (IDRS) to present a series of world premieres at
FREE TICKETS: Portishead Tribute at LPR (CONTEST ENDED)
NOTE: This contest has ended. This Thursday, July 24 at 8:00 p.m., composer-pianist Brittany Anjou leads the second annual tribute to Portishead's Roseland NYC Live album at (le) poisson rouge. The epic event includes a
The National Youth Orchestra of the United States of America Debuts at Carnegie Hall
Whether it's a performance of contemporary music in South Beach or Wagner in the Berkshires, I realized long ago that young musicians can more than hold their own in a concert setting,