Don’t Try This At Home
I can pretty much guarantee that I’m the only person at Tanglewood tonight wearing a bracelet from today’s Falcon Ridge Folk Festival. But, hey, that’s how I roll. An all-Brahms
I can pretty much guarantee that I’m the only person at Tanglewood tonight wearing a bracelet from today’s Falcon Ridge Folk Festival. But, hey, that’s how I roll. An all-Brahms
At some point during tonight’s performance of Sinfonia (1998), I found myself asking: how is a frail, diminutive, 99-year-old capable of such fierce, overpowering sounds? And, how is it that every time
After a strenuous hike straight up Mt. Lenox this afternoon, an hour of Elliott Carter wasn’t exactly the first thing I wanted to listen to tonight. But the program, featuring chiefly
I got to Tanglewood just in time afternoon to catch the seventh of ten Elliott Carter concerts taking place this week, featuring TMC fellows playing the Quintet for Piano and Strings,
Such is how David – a former fellow – refers to Tanglewood and its environs, where I’m headed tomorrow for the umpteenth consecutive summer (give or take an ump). On the agenda:
Wordless Music Series at Celebrate Brooklyn, 7/18/08 Metropolis Ensemble (New York, NY) Deerhoof (Oakland, CA) More pics here.
In its 44th season of free Parks Concerts, the New York Phil played Bach, Beethoven and Sibelius in Prospect Park on Monday, under incoming music director Alan Gilbert. New gimmick:
I’ve pretty much stopped plugging shows before they happen (the Concert Calendar serves that purpose), but I’ll make an exception for this Friday’s event at Celebrate Brooklyn, which marks the
Critic Greg Sandow recently posted a curious and thoughtful piece on his blog which delineates the differences between classical and pop music reviews. Whatever dimwit wrote, “Pop music criticism is