Settling “The Score”
After a hiatus of more than two and a half years, the New York Times has revived its blog The Score, where contemporary composers write about many of the issues surrounding
After a hiatus of more than two and a half years, the New York Times has revived its blog The Score, where contemporary composers write about many of the issues surrounding
(photos by Julieta Cervantes) BAM's Next Wave Festival - and artistic director Joe Melillo in particular – must have a thing for indie rockers. Last year, they commissioned Sufjan Stevens' The
When he coined the term "Music of the Future" back in 1860, Wagner was primarily concerned with defending his musical innovations over what he saw as the florid and artificial
Here's another one for the books: after 8 1/2 years, Bethany's decided to hang up her WFMU mic so she can complete her training as a massage therapist. In an
I took this picture last June during Marc Ribot's soundwalk, part of Issue Project Room's first-annual Soundwalk-a-thon. The woman with short hair seated on the bridge is Issue founder Suzanne Fiol, whom
I missed Krautrock pioneers Faust's show at Music Hall of Williamsburg on Thursday, but caught up with them here this afternoon, at an arts space called UbiSoft, in the industrial
D.C. post hardcore band Shudder to Think reunited after a 10 year hiatus this past Wednesday at Bowery Ballroom, performing two sets from their 80's and 90's catalog. In between, lead singer Craig Wedren
Dougie Bowne is a well-known musician/producer who's worked with everyone from Iggy Pop, to Brian Eno, to Cibo Matto, among many others. For years, he was the drummer in John Lurie's
Whatever Augusta Read Thomas programmed for Tanglewood's 45th Festival of Contemporary Music was inevitably going to be a letdown from last year's wall-to-wall Elliott Carter fest. Yet, in many ways, it