Feast of Music’s Year in Review: 2013
Photo credits: Pete Matthews, Ryan Jensen (SubCulture) It was definitely a banner year for both New York City's music scene and Feast of Music. Here at FoM, we provided over […]
Electronic
Preview: SubCulture Holiday Concert Series
SubCulture's First Annual Holiday Concert Series kicks off tomorrow night: a week of exclusive cross-genre seasonal concerts highlighting an eclectic crew of notable New York artists. Wednesday's shows feature award-winning jazz vocalist
Membership Giveaway: (le) Poisson Rouge!
NOTE: This contest has ended. In light of the holiday season, FoM is giving away a free “School of Fish” membership to (le) poisson rouge that includes access to over 100 free shows
FREE TICKETS: New Amsterdam Dual Album Release—The Knells and itsnotyouitsme
NOTE: This contest has ended. Tuesday, December 10, at 7:30 p.m., New Amsterdam Records presents an epic dual album release show at SubCulture. The evening features progressive neo-psychedelic chamber band The
Concert Comix: Rugz. D Bewler, Dillon Cooper, Party Supplies, and Kitty [Pryde] at Brooklyn Night Bazaar
by Hazel Newlevant This past Saturday I discovered how well live music goes with craft vendors at the Brooklyn Night Bazaar. I was afraid it wouldn't work well as a
Fun Fun Fun Fest 8 Video
For those who couldn't make it through with my entire 2,000-word recap of this year's Fun Fun Fun Fest, here's a quick four-minute video that should give you some idea
Fun Fun Fun Fest 8 Recap
AUSTIN, TX — At some point walking around last weekend in Austin, it struck me that it was less a question of who was at the eighth edition of the Fun Fun
Fun Fun Fun Fest: Friday
AUSTIN, TX — For the fourth time in its eight-year history, I'm in Austin this weekend for the Fun Fun Fun Fest, which brings together the seemingly disparate worlds of hip
Zoë Keating Plays SubCulture
From symphonies to string quartets to slightly off kilter arrangements of Jimi Hendrix tunes, there is a lot of music for strings out there. On Wednesday night at Subculture, Zoë Keating continued in that tradition, but with one difference—she summoned the onslaught of sounds by herself. She uses a cello and a foot-controlled laptop and pedals to record layer upon layer of cello, creating intricate, haunting and compelling music. Zoë is known for both her use of technology – which she uses to sample her cello onstage – and for her DIY ethic, forgoing the usual hassle of record labels associated with success in music.