Xiayin Wang and the Escher String Quartet
by Craig Brinker There is a lot of chamber music being performed on any given week in New York, and one of the best tickets in the city this week
Classical
The Juilliard School and Lindemann Fellows Present “Cosi Fan Tutti”
by Andreas Hager Photo Credit: Nan Melville Attending a co-production of Juilliard and the Metropolitan Opera’s Lindemann Program can feel similar to a high-school match at the steroidy heights of
Esa-Pekka Salonen Leads Masterful “Wozzeck” at Avery Fisher Hall
by Michael Cirigliano II Photo credit: Jennifer Taylor, The New York Times It’s nice to see that Alban Berg’s infamous 1922 opera, Wozzeck, hasn’t lost much of its shock value
White Light Festival: Adam’s Lament
by Michael Cirigliano II After performing a concert of modern Baltic music in Midtown Friday night, the Latvian Radio Choir made their way uptown to Alice Tully Hall on Saturday,
Oregon Symphony Performs Mahler’s Sixth Symphony
PORTLAND, OR — With one of the country's most robust live music scenes, one could forgive Portland for slacking a bit when it comes to the orchestral arts. In fact,
The Orchestre Révolutionnaire et Romantique and Monteverdi Choir Present All-Beethoven Program
by Michael Cirigliano II Very few musicologists have been able to promote their scholarship in such a way that alters the perspective of modern musical performance quite like Sir John
John Cage’s “How to Get Started” at Symphony Space
by Craig Brinker Of the many strange works John Cage composed during his long and varied career, “How to Get Started” is not the most experimental, but perhaps one of
“What Must Be Said” at The Cell
by Angela Sutton Ensemble π performed to a full house at the Cell on Saturday night, presenting new and rarely heard music in collaboration with the Great Small Works theater company. “What
Elliott
As I've mentioned in the past, New Yorkers got into the ridiculous habit in recent years of expecting to see Elliott Carter out at concerts, long after most of us would be