by Steven Pisano Photo: Steven Pisano If nights of the week have a music personality, and Friday and Saturday nights are the loud and rowdy party animals in the group,
by Nick Stubblefield and FoM (Photo: Stephanie Berger) Two weeks ago, Philip Glass and Steve Reich – by any measure two of the most important and influential composers of our time – kicked off the Nonesuch
House of Time, a period-instrument ensemble of Juilliard faculty and international competition winners, kicks off its second season on September 24 and 25. The opening program, "Apotheosis and Re-Creation" (September 24th and
On the surface, the artists signed to Nonesuch Records – which celebrates 50 years in business this year – would seem to have very little to do with one another.
Cellist Maya Beiser wants to change the way people look at rock music. Or, more accurately, music in general. Raised in Israel, Beiser was groomed for a career as a concert
by Angela Sutton Lincoln Center photo With a partially apt, partially grim choice of programming, Saturday's final concert of this year's Mostly Mozart Festival began with a melding of works by
by Emre Tetik Armen Elliot for The New York Times For the third time this week, the International Contemporary Ensemble (a.k.a., ICE) appeared at the Park Avenue Armory’s Board of Officers
by Robert Leeper As if to provide a soundtrack to the lightning storm crackling just outside the windows of the Stanley H. Kaplan Penthouse last night, violinist Patricia Kopatchinskaja dug into the
by Emre Tetik Richard Termine for The New York Times The Mostly Mozart Festival, now in its final few days, has offered NYC a variety
