by Hazel Newlevant Our graphic artist Hazel made it out to Santos Party House Friday night to sketch out sets by MC's Antwon and Le1f (whose production credits include Das Racist's "Combination Pizza Hut and […]
"It's not an improvised score, though I would hope it leaves the musicians room to move. I wanted them to make weather out of sound." — Jem Cohen Another stunning example
Photo credit: Chris Lee, New York Philharmonic On Wednesday, I was invited to a cocktail party for music journalists on the rooftop of the Empire Hotel prior to that evening's New
by Angela Sutton Pianist Ian Hobson continued his two-month examination of Brahms at the DiMenna Center on Thursday night before an audience of avid connoisseurs, with the pianist showing a
Among all the performing arts, none are better able to impart a sense of occasion than symphony orchestras. Each New Year's Day, the entire world marks the new year by
by Robert Leeper In her performance Tuesday night at the Gramercy Theatre, Danish electro-pop songstress Nanna Øland Fabricius—better known as Oh Land—was everything we love about indie pop stars: playful, amatory,
by Zoë Gorman Photo credit: The Wall Street Journal At the Guggenheim Museum last Thursday, legendary composer Philip Glass and artist James Turrell attempted to blur the line between sense and cognition. Using
The seductive, langurous, occasionally ecstatic music of Julia Holter took over Music Hall of Williamsburg last night, the penultimate stop of her latest U.S. tour. Holter, who played keyboard, performed
Note: This Contest Has Ended. Is it jazz? Funk? Electro-pop? Hip-hop? Find out the answer at SubCulture this Friday, September 27, at 10:00 p.m., as the outrageously eclectic Kneebody celebrate the release of their latest album,
