by Nick Stubblefield When SubCulture announced in July 2015 that they were “re-structuring their business model” and cancelling the majority of their lineup, many faithful concert-goers fretted about losing this intimate,
by Nick Stubblefield and FoM Every year around this time, the Vienna Philharmonic makes their annual trip to NYC for a weekend of concerts. And, every year, I have the
by Nick Stubblefield It seems unconventional for the Brooklyn-based jazz collective Snarky Puppy to play at Carnegie Hall, but Snarky Puppy isn’t a conventional band. When I walked into Carnegie’s
Unfortunately, I haven't had a chance to see most of this year's PROTOTYPE Festival of new opera, now in it's 6th year, but I did make it out to the
“Music remains for me not sacred, but a spiritual moment. I’m devoted to God because I think I was gifted by him, and I know that my mission during
Winter Jazzfest 2018 Artist-in-Residence Nicole Mitchell has spent more than three decades on the vanguard of jazz as a composer and flutist, and has developed a unique voice that blends
by Nick Stubblefield On Tuesday, drummer and composer Mark Guiliana and his Jazz Quartet treated audiences at the Jazz Standard to the group’s first at-home show since their latest release, Jersey. Guiliana, a
by Melissa Caruso Photo: Fernando Garcia I don’t love Margo Price simply because she’s saving country music, or because she can mesmerize an audience with a simple sway of the
by Robert Leeper The 92Y’s season kicked off last Thursday with Orpheus Chamber Orchestra — best known for their conductor-less performances — performing with cellist Mischa Maisky. Schubert’s beloved “Arpeggione” Sonata, arranged for cello
