by Michael Cirigliano II Jon Manasse has brought career versatility to a whole new level in today’s classical-music landscape. In addition to his roles as principal in the Orchestra of […]
by Melanie Wong Photo credit: Benjamin Ealovega Last week on the intimate stage of Carnegie’s Zankel Hall, Jonathan Biss, in collaboration with the Elias String Quartet, explored the role of
"I can’t imagine any list of the world’s great orchestras without the Dresden Staatskapelle at or near the top." — Nikolai Zander It goes without saying that Germany has an embarrassment of
by Michael Cirigliano II Photo credit: Matthias Creutziger After a rash of heavy, Mahlerian programming from many of the touring orchestras passing through Carnegie Hall this winter, it was incredibly inviting
Aaron Copland. Samuel Barber. John Adams. And now, Caroline Shaw. Shaw, 30, today joined the elite fraternity of American composers to win the Pulitzer Prize for Music for her Partita for
by David Artavia West Texas was alive and well Saturday night at Carnegie Hall, with The Flatlanders performing as part of WFUV’s Live at Zankel concert series. Before the show even
by Michael Cirigliano II Despite being only two hours away on the Metro-North Railroad, the Yale School of Music is often glossed over by its Manhattan-based brethren when it comes
The ageless, elegant Barbara Carroll behind the piano with Ken Peplowski Tuesday night, part of WBGO's ongoing series at the excellent new jazz club 54 Below, in the heart of the Theater District.
As (le) Poisson Rouge discovered five years ago, people like a little alcohol with their classical/contemporary music. So, when I heard Sugar Vendil's Nouveau Classical Project was doing a show Friday
